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PARTS & SECTIONS

   Click on a title below:

Part I.
Basics/Process

  A. Chapters 1-6:
      
Starting

  B. Ch. 7-13:
       Organizing

  C. Ch. 14-20:
       Revising/Edit
ing

Part II.
College Writing

   D. Ch. 21-23:
        What Is It?

   E. Ch. 24-30:
      
 Write on Rdgs.

   F. Ch.31-35:
       Arguments

  G. Ch. 36-42:
       Research

   I.  Ch. 49-58:
       Majors & Work

Part III.
Writing to Literature

 H. Ch. 43-48:
       Literature

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 Study Questions

 

                                                       

Chapter 57. PROFESSIONAL PROPOSAL

Activities for a Professional Proposal

See also "Activities & Groups."

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SPECIAL ACTIVITIES

  1. BUSINESS OR SCHOOL PROPOSAL: Make a business or school proposal as a group, using the divisions of a group as mentioned in "3" below. As a group, develop your own group name and line of products or results. Then make a proposal involving a real or imaginary work or school situation. Use the parts or divisions of a proposal listed in this chapter.  If your instructor allows, you may develop a fictional and/or fanciful background and subject for your proposal--e.g., inventing a fanciful or interesting company and proposing a strange, new, or unusual product or activity for it.

  2. PRACTICE OF THE PARTS--CIRCLE SENTENCING: Practice the parts or divisions of a proposal using circle sentencing. Do this as a whole class. First, everyone should get out a sheet of lined paper and write "1. I propose that ____," and fill in the blank with an interesting, unusual, or silly proposal. Second, everyone should pass this paper to the next person clockwise or in his/her row, read the new paper in front of her, then write "2. The problem that makes this proposal necessary is ____," and fill in the blank. Third, continue passing the papers and adding one more sentence after each pass, using the steps shown in the "Organizational Outline" section of this chapter. The third one, for example, might be "3. The solution and gains to this problem are ____." Finally, when all the steps are done, read some of the best ones out loud.
        

  3. MARRIAGE PROPOSAL: Make a marriage proposal as a group. Break into groups of three to five people and choose group roles (coordinator, writer, reader, timer, and minutes keeper). Then, as a group, pretend you are one person. Write a marriage proposal to someone using the parts or divisions of a proposal listed in this chapter. (If there is time, groups may change roles and become the receivers of the proposals written by other groups, responding to these proposals in formal letter form.) Read the results aloud.

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OTHER ACTIVITIES

  1. THOUGHTS ABOUT THE CHAPTER: As an individual or a group, read the chapter and take notes about it using one or more of the methods in "General Study Questions."

  2. ROUGH DRAFT: As an individual or a group, write a paper as described in this chapter.  Use the subtitles shown in the "Introduction" or the "Basics" section as subtitles of your rough draft, and write at least 50+ words in each body section.  If you are working as a group, you may, if your instructor allows, develop a fictional and fanciful background and subject for your rough draft.

  3. GROUP MAPPING & PLANNING: Divide into small groups of 3-4 people randomly.  In each group, one person each should volunteer to be
         
    (i) the facilitator (the person helping everyone to do the work),
    (ii) the writer/recorder (who does the writing for the group),
    (iii) the reader/announcer (who reports the group's works to the class), and
    (iv) if there is a fourth, the timekeeper, the observer taking notes about the group's way of working, and/or the "social encourager"--someone who finds questions to encourage quieter members of the group. 
          
    The group should then follow these steps using a timetable given by the instructor, either in a small, close circle with the writer using pen or laptop, or at a segment of the whiteboard with the writer using a marker:
        
    (A) What is the key or essence of this type of paper?  Brainstorm an interesting, fun idea (serious or silly) to write about.
       
    (B) Then look at the "map" or blocks of how to build this type of paper, from introduction through the body sections to the conclusion.  The instructor can either project it on a screen or draw it on the board.  Then fill in the parts with 50-100 words for each main body section, and 20-50 for the intro and conclusion (depending on the instructor's directions).
      
    (C) If your instructor suggests this, add a good made up illustration, graphic, or quotation or two to each section from an "expert" and give credit to your made-up expert.  (Note: Never add made-up detail or experts to a real paper.)
      
    (D) Have your reader/announcer read your result to the entire class.
      
    (E) After all groups have gone, then the "observer" in each group--or the facilitator--should answer three brief comments on how the group process happened: "What worked well," "What didn't," and "How could it be changed?" 
        

  4. GROUP CRITIQUE OF A LATER DRAFT: If your class has a paper all of you are preparing for grading, gather in a group to critique each other's developed drafts:  
       
    (A) Simply pass the papers to each other; your paper preferably should be checked by three other people.   (Some instructors prefer that you make several copies, distribute them to your group members, take the copies home that you receive, and comment on them there.) 
       
    (B) Write comments for each other.  To do so, use a a set of grading guidelines (or "rubric"): for example, "How are the contents," "How is the organization of parts," "Do paragraphs work well," and "How well have editing errors been corrected?"  Preferably, you can use the guidelines your instructor applies when grading.  
         
    (C) For each question or requirement in your guidelines, write one or more comments.  Your comments should be substantial and specific (more like a complete sentence, and more specific than just "Nice!" or "Needs work").  Your comments also should be positive or helpfully constructive: when positive, they should offer specific praise of a particular part, detail, or method; when constructive, they should offer specific advice about what to add or do to make the paper better.  
         
    (D) Add a final positive or constructive comment about how you think the average reader of this paper might respond to it, and/or how the paper could be changed or fixed for a stronger or more positive response from its audience.  

    (E) After receiving your comments from others, take them home.  Review what they have written.  Remember that your readers are not commenting on you as a person, but rather on how easily (or poorly) they have been able to read your paper as its audience members.  Pay attention in particular to comments that may have been repeated by more than one of your readers.

  5. For a wide variety of other activities and exercises, go to "Activities & Groups."

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Return to top.

 

                 

    

         

I. WRITING FOR MAJORS & WORK

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Chapter 57. Professional Proposal:

Introduction

Basics

Advanced

Samples

Activities

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Related Chapters/Pages:

Details & Images

Creating Websites

Leading Writing Groups
                      

                    

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 Related Links in
OnlineGrammar.org:

  16. Research Writing

  17. Citation & Documentation

  18. References & Resources

  19. Visual/Multimodal Design

  20. Major/Work Writing

 

Updated 1 Aug. 2013

  

   

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Writing for College 
by Richard Jewell is licensed by Creative Commons under CC BY-NC-SA 4.0.
WritingforCollege.org also is at CollegeWriting.info and WforC.org
Natural URL: http://www.richard.jewell.net/WforC/home.htm
1st Edition: Writing for School & Work, 1984-1998. 6th Edition: 8-1-12, rev. 8-1-13. Format rev. 11-28-21
Text, design, and photos copyright 2002-12 by R. Jewell or as noted
Permission is hereby granted for nonprofit educational copying and use without a written request.

Contact Richard.  Questions and suggestions are welcome.